{"id":5569,"date":"2024-10-28T11:06:32","date_gmt":"2024-10-28T11:06:32","guid":{"rendered":"https:\/\/filmoskopija.com\/?p=5569"},"modified":"2024-10-28T11:06:33","modified_gmt":"2024-10-28T11:06:33","slug":"milena-mikro-kritika","status":"publish","type":"post","link":"https:\/\/filmoskopija.com\/en\/milena-mikro-kritika\/","title":{"rendered":"Milena [mikro-kritika]"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12 vc_col-sm-offset-0\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"edgtf-elements-holder article-body-boxed  edgtf-one-column  edgtf-responsive-mode-768\" ><div class=\"edgtf-eh-item\"  data-item-class=\"edgtf-eh-custom-9831\">\n\t<div class=\"edgtf-eh-item-inner\">\n\t\t<div class=\"edgtf-eh-item-content edgtf-eh-custom-9831\" >\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>46 sekundi. Toliko je potrebno Sonji Kesler da kroz ulogu kom\u0161inice Radmile publiku obele\u017ei tragedijom onih koji su ostali. Film <em>Milena<\/em> (\u017deljko Staneti\u0107, 2024, 25\u2019), premijerno prikazan na novosadskom <a href=\"https:\/\/www.filmfront.rs\/\">Filmskom Frontu, <\/a>ve\u0161to istra\u017euje teme raseljenja, identiteta i psiholo\u0161ke o\u017eiljke rata. Film se fokusira na pri\u010du Milene (Branka Kati\u0107\/Milica Su\u017enjevi\u0107) i Stevana (Aleksandar \u0110urica\/Igor Greksa), par izbeglica iz Hrvatske koji sada \u017eivi u Srbiji. Pri\u010da filma se razvija u slojevima i narativ neprimetno prelazi izme\u0111u pro\u0161losti (ta\u010dnije, 1995. godine) i sada\u0161njosti, odra\u017eavaju\u0107i trajnu prirodu traume i borbu za pronala\u017eenje ose\u0107aja sigurnosti. Film iskri od gluma\u010dkih bravura \u2013 osim Kesler, tu su i Branka Kati\u0107 i Milica Su\u017enjevi\u0107, obe ubedljive u ulozi iste \u017eene odlu\u010dne da sa\u010duva \u010doveka kojeg voli, a treba pohvaliti i mikroekspresije Igora Grekse, naro\u010dito u poslednjoj sceni. Vizuelni aspekt filma tako\u0111e je upe\u010datljiv: surova, \u010desto pusta okru\u017eenja odra\u017eavaju ose\u0107aj izolovanosti, ali film ne izbegava ni trenutke mirne lepote koji nagove\u0161tavaju nadu i otpornost. Re\u017eija \u017deljka Staneti\u0107a je promi\u0161ljena i suptilna, \u0161to se prime\u0107uje ne samo u sveobuhvatnoj kontroli i razvoju ideje ve\u0107 i u detaljima, kao \u0161to je izbor kanala koji se prikazuje na televizoru u dnevnoj sobi. Scenario je pa\u017eljivo napisan, dok su dijalozi i dovoljno autenti\u010dni da precizno reflektuju iskustva i emocije likova, ali i dovoljno jednostavni da se ni\u0161ta ne izgubi u prevodu. U svetu gde se pri\u010de o izbeglicama \u010desto gube u politi\u010dkim raspravama, <em>Milena<\/em> slu\u017ei kao sna\u017ean podsetnik na ljudsku cenu rata i raseljenja. Film osvetljava kontinuirane borbe izbeglica i va\u017enost saose\u0107anja i podr\u0161ke u procesu ponovne izgradnje \u017eivota u izbegli\u0161tvu.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><img decoding=\"async\" class=\"wp-image-5413 alignleft\" src=\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2024\/06\/saa-otgwnjq2otc5.png\" alt=\"\" width=\"150\" height=\"48\" srcset=\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2024\/06\/saa-otgwnjq2otc5.png 288w, https:\/\/filmoskopija.com\/wp-content\/uploads\/2024\/06\/saa-otgwnjq2otc5-18x6.png 18w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p><em>\u00a0 \u00a0Tekst je nastao zahvaljuju\u0107i podr\u0161ci udru\u017eenja UFUS AFA Za\u0161tita koje je podr\u017ealo projekat \u201eFilmoskopija\u201c na Konkursu za kulturna davanja za 2024. godinu.<\/em><\/p>\n<p><em>Naslovna fotografija iz filma <\/em>Milena:<em> Filmski Front promo.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"46 sekundi. Toliko je potrebno Sonji Kesler da kroz [...]","protected":false},"author":8,"featured_media":5571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76],"tags":[297,255,288,298,92,89,93,281,134,246,295,94,296],"class_list":["post-5569","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mikro-kritike","tag-branka-katic","tag-danilo-brakocevic","tag-festival","tag-film-o-izbeglicama","tag-filmoskopija","tag-filmska-kritika","tag-filmski-centar-srbije","tag-filmski-front","tag-kratki-film","tag-kratkometrazni-film","tag-milena","tag-srpski-film","tag-zeljko-stanetic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Milena [mikro-kritika] - Filmoskopija<\/title>\n<meta name=\"description\" content=\"U svetu gde se pri\u010de o izbeglicama \u010desto gube u politi\u010dkim raspravama, Milena slu\u017ei kao sna\u017ean podsetnik na ljudsku cenu rata i raseljenja. Film osvetljava kontinuirane borbe sa kojima se suo\u010davaju izbeglice i va\u017enost saose\u0107anja i podr\u0161ke u procesu ponovne izgradnje \u017eivota u izbegli\u0161tvu.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmoskopija.com\/en\/milena-mikro-kritika\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Milena [mikro-kritika] - Filmoskopija\" \/>\n<meta property=\"og:description\" content=\"U svetu gde se pri\u010de o izbeglicama \u010desto gube u politi\u010dkim raspravama, Milena slu\u017ei kao sna\u017ean podsetnik na ljudsku cenu rata i raseljenja. Film osvetljava kontinuirane borbe sa kojima se suo\u010davaju izbeglice i va\u017enost saose\u0107anja i podr\u0161ke u procesu ponovne izgradnje \u017eivota u izbegli\u0161tvu.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/filmoskopija.com\/en\/milena-mikro-kritika\/\" \/>\n<meta property=\"og:site_name\" content=\"Filmoskopija\" \/>\n<meta property=\"article:published_time\" content=\"2024-10-28T11:06:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-28T11:06:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2024\/10\/Photo-6-Still_Milena_1_12.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"812\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Danilo Brako\u010devi\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Danilo Brako\u010devi\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/filmoskopija.com\/milena-mikro-kritika\/\",\"url\":\"https:\/\/filmoskopija.com\/milena-mikro-kritika\/\",\"name\":\"Milena [mikro-kritika] - Filmoskopija\",\"isPartOf\":{\"@id\":\"https:\/\/filmoskopija.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/filmoskopija.com\/milena-mikro-kritika\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/filmoskopija.com\/milena-mikro-kritika\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2024\/10\/Photo-6-Still_Milena_1_12.jpg\",\"datePublished\":\"2024-10-28T11:06:32+00:00\",\"dateModified\":\"2024-10-28T11:06:33+00:00\",\"author\":{\"@id\":\"https:\/\/filmoskopija.com\/#\/schema\/person\/d4525f9cd6319d0e7f71abf2e4fe96e7\"},\"description\":\"U svetu gde se pri\u010de o izbeglicama \u010desto gube u politi\u010dkim raspravama, Milena slu\u017ei kao sna\u017ean podsetnik na ljudsku cenu rata i raseljenja. 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