{"id":5597,"date":"2024-10-30T08:27:37","date_gmt":"2024-10-30T08:27:37","guid":{"rendered":"https:\/\/filmoskopija.com\/?p=5597"},"modified":"2024-10-30T08:27:37","modified_gmt":"2024-10-30T08:27:37","slug":"vermiljo-mikro-kritika","status":"publish","type":"post","link":"https:\/\/filmoskopija.com\/en\/vermiljo-mikro-kritika\/","title":{"rendered":"Vermiljo [mikro-kritika]"},"content":{"rendered":"
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Godina 1944, zavejano alpsko seoce nadomak grada Trento, kameno ognji\u0161te i porodi\u010dna trpeza sa seoskim u\u010diteljem na \u010delu. Kamera je stati\u010dna, zarumenela deca na ekranu se do\u0161aptavaju, a publika se ve\u0107 me\u0161kolji u stolicama, o\u010dekuju\u0107i da opet, po ko zna koji put, gleda jednu te istu italijansku istorijsko-porodi\u010dnu dramu. Ipak, rediteljka Maura Delpero se u ostvarenju Vermiljo<\/em> (Vermiglio<\/em>, 2024, 119\u2019), nagra\u0111enom Gran prijem \u017eirija u Veneciji<\/a>, uspe\u0161no iskobeljava iz prete\u0107e lavine trivijalne pretencioznosti.<\/p>\n

U fokusu je porodica Gracijadei, u\u0161u\u0161kana u sne\u017eno-belim nedrima planinskih obronaka severne Italije, \u010dija nenametljiva svakodnevica potresa dolazak ratnog veterana Pjetra (\u0110uzepe de Domeniko). Zagonetni Sicilijanac remeti ku\u0107nu konstelaciju, prvenstveno sudbinu najstarije \u0107erke, Lu\u010dije (Martina Skrinci). Delpero porodi\u010dnu intimu (de)konstrui\u0161e svedenim dijalozima, tako da je \u010dak i polaritet ju\u017enja\u010dkog partizana Pjetra i ruralne rigidnosti porodice izveden suptilno, najpre opozitnim dijalektima sunarodnika \u201esve\u017ee\u201c ujedinjene Italije.<\/p>\n

Uprkos strogosti roditelja, zabele\u017een je \u010ditav mikrokosmos odrastanja, isprepleten ne\u017eno\u0161\u0107u i sne\u017enim pahuljama \u2013 u\u0161u\u0161kane razgovorancije, molitve Blagoj Mariji, prigu\u0161eno buntovni\u0161tvo i otkrivanje sopstvene telesnosti. Tanane mlade du\u0161e i krajolik zaseoka Vermilja bujaju (ali i venu) pred na\u0161im o\u010dima. Protok vremena, simetri\u010dan poput pe\u0161\u010danog sata, kinematografski je do\u010daran, a auditorno \u201euglancan\u201c izlizanom, ali upe\u010datljivom upotrebom Vivaldijeva \u010cetiri godi\u0161nja doba<\/em>.<\/p>\n

Vermiljo<\/em> je me\u0111u retkim festivalskim hitovima koji pod lupu stavlja ovaj kutak italijanske provincije, a mo\u017eda i jedini u kome tradicija Trentina ima odlu\u010duju\u0107u ulogu. Ve\u0161to prevazilaze\u0107i svoju ukalupljenost, film otkriva nove horizonte (\u017eenske) egzistencije u stegnutom okrilju varo\u0161anskog katolicizma i italijanske vergogne<\/em>. Poput pre\u0107utnog svedoka, gledalac zajedno sa objektivom gubi dah dok posmatra teskobnu familijarnost \u017eivota.<\/p>\n

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Naslovna fotografija iz filma <\/em>Vermiljo: Film Fest Gent promo.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Godina 1944, zavejano alpsko seoce nadomak grada Trento, kameno [...]","protected":false},"author":10,"featured_media":5599,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76],"tags":[324,288,325,92,89,329,327,319,326,328,323,322,320,321],"class_list":["post-5597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mikro-kritike","tag-ana-djosev","tag-festival","tag-film-fest-gent","tag-filmoskopija","tag-filmska-kritika","tag-freezone-festival-belgrade","tag-italijanski-film","tag-maura-delpero","tag-slobodna-zona-beograd","tag-trento","tag-venecijanski-filmski-festival","tag-venice-film-festival","tag-vermiglio","tag-vermiljo"],"yoast_head":"\nVermiljo [mikro-kritika] - Filmoskopija<\/title>\n<meta name=\"description\" content=\"Vermiljo je me\u0111u retkim festivalskim hitovima koji pod lupu stavlja ovaj kutak italijanske provincije, a mo\u017eda i jedini u kome tradicija Trentina ima odlu\u010duju\u0107u ulogu. 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