{"id":5859,"date":"2025-05-15T12:15:57","date_gmt":"2025-05-15T10:15:57","guid":{"rendered":"https:\/\/filmoskopija.com\/?p=5859"},"modified":"2025-05-15T14:06:22","modified_gmt":"2025-05-15T12:06:22","slug":"filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu","status":"publish","type":"post","link":"https:\/\/filmoskopija.com\/en\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/","title":{"rendered":"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12 vc_col-sm-offset-0\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"edgtf-elements-holder article-body-boxed  edgtf-one-column  edgtf-responsive-mode-768\" ><div class=\"edgtf-eh-item\"  data-item-class=\"edgtf-eh-custom-5941\">\n\t<div class=\"edgtf-eh-item-inner\">\n\t\t<div class=\"edgtf-eh-item-content edgtf-eh-custom-5941\" >\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400;\">Evropska ku\u0107a i Italijanski institut za kulturu u Beogradu majski Filmski petak posve\u0107uju italijanskom filmu neorealizma. Pre samih projekcija, posetioci \u0107e <\/span><a href=\"https:\/\/filmoskopija.com\/en\/trifo-vs-godar-kriticarke-filmoskopije-gosce-u-evropskoj-kuci\/\"><span style=\"font-weight: 400;\">kao i prethodna dva meseca<\/span><\/a><span style=\"font-weight: 400;\"> imati priliku da prisustvuju razgovorima o ovom periodu italijanske kinematografije izme\u0111u profesora Gorana Terzi\u0107a (Fakultet dramskih umetnosti) i <\/span><a href=\"https:\/\/filmoskopija.com\/en\/filmski-petak-na-poljski-nacin-evropska-kuca-april-posvecuje-savremenom-poljskom-filmu\/\"><span style=\"font-weight: 400;\">kriti\u010dara i kriti\u010darki Filmoskopije<\/span><\/a><span style=\"font-weight: 400;\">. <\/span><i><span style=\"font-weight: 400;\">Filmski petak &#8211; italijanski neorealizam<\/span><\/i><span style=\"font-weight: 400;\"> odr\u017eava se uz podr\u0161ku Italijanskog instituta za kulturu u Beogradu (<\/span><i><span style=\"font-weight: 400;\">Istituto Italiano di Cultura di Belgrado<\/span><\/i><span style=\"font-weight: 400;\">). Filmovi se prikazuju u <\/span><a href=\"https:\/\/evropskakuca.rs\/dogadjaj\/filmski-petak-italijanski-neorealizam\/\"><span style=\"font-weight: 400;\">Evropskoj ku\u0107i u Beogradu<\/span><\/a><span style=\"font-weight: 400;\"> (ugao Zmaj Jovine i Knez Mihailove). Svi filmovi imaju srpske titlove, a ulaz je besplatan.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Program i satnica:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>16. maj, 19h<\/strong><\/p>\n<p><b><i>Najlep\u0161a (Bellissima, Lukino Viskonti, 1951, 114\u2019)<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Najlep\u0161a <\/span><i><span style=\"font-weight: 400;\">se smatra jednim od najva\u017enijih ostvarenja italijanskog neorealizma. Glavna junakinja, koju tuma\u010di Ana Manjani, \u017eena je iz skromne rimske radni\u010dke porodice, opsednuta filmovima, ali i idejom da njena \u0107erka mo\u017ee da pobedi na takmi\u010denju za \u201enajlep\u0161u devoj\u010dicu u Rimu\u201d i postane filmska zvezda.<\/span><\/i><\/p>\n<p>U razgovoru u\u010destvuje Ana \u0110o\u0161ev.<\/p>\n<p>&nbsp;<\/p>\n<p><b>23. maj, 19h<\/b><\/p>\n<p><b><i>\u010cudo u Milanu (Miracolo a Milano, Vitorio de Sika, 1951, 100\u2019)<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u010cudo u Milanu<\/span><i><span style=\"font-weight: 400;\"> italijanski je fantasti\u010dni film u kom glume Fran\u010desko Golisano, Ema Gramatika i Paolo Stopa. Film, ispri\u010dan kao neorealisti\u010dka bajka, obja\u0161njava \u017eivote grupe ljudi koji su pogo\u0111eni siroma\u0161tvom u posleratnom Milanu u Italiji.<\/span><\/i><\/p>\n<p>U razgovoru u\u010destvuje Ana Filipovi\u0107.<\/p>\n<p>&nbsp;<\/p>\n<p><b>30. maj, 19h<\/b><\/p>\n<p><b><i>No\u0107 (La Notte, Mikelan\u0111elo Antonioni, 1961, 122\u2019)<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Glavni junaci, koje tuma\u010de Mar\u010delo Mastrojani i \u017dana Moro, ugledni su i bogati milanski knji\u017eevnik i njegova supruga, \u010diji se brak nalazi u krizi. Radnja prati nekoliko sati u njihovom \u017eivotu.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">U razgovoru u\u010destvuje Pavla Banjac.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>6. jun, 19h<\/b><\/p>\n<p><em><b>Prosjak (Accatone, Pjer Paolo Pazolini, 1961, <\/b><b>117\u2032<\/b><b>)<\/b><\/em><\/p>\n<p><span style=\"font-weight: 400;\">Akatone<\/span><i><span style=\"font-weight: 400;\">, premijerno prikazan na Venecijanskom filmskom festivalu, prvi je Pazolinijev film. To je pri\u010da o svodniku iz siroma\u0161nog rimskog predgra\u0111a. Interesantno je da u <\/span><\/i><span style=\"font-weight: 400;\">Akatoneu <\/span><i><span style=\"font-weight: 400;\">nema nijednog kadra u kojem se glavni lik mo\u017ee videti s le\u0111a, ili barem iz profila \u2013 svi su frontalni. Pazolini je to objasnio tvrdnjom da svoj vizuelni stil nije gradio na filmovima, ve\u0107 na \u0110otovim i Masa\u010dovim freskama iz \u010detrnaestog veka.<\/span><\/i><\/p>\n<p>U razgovoru u\u010destvuje Iva Lekovi\u0107.<\/p>\n<p>______________________________________________________________________________________<\/p>\n<p><em>Vizual: Miroslav Kne\u017eevi\u0107<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Evropska ku\u0107a i Italijanski institut za kulturu u Beogradu [...]","protected":false},"author":1,"featured_media":5862,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[513,515,457,92,512,514],"class_list":["post-5859","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vesti","tag-antonioni","tag-beograd","tag-evropska-kuca","tag-filmoskopija","tag-italijanski-neorealizam","tag-pazolini"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu - Filmoskopija<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmoskopija.com\/en\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu - Filmoskopija\" \/>\n<meta property=\"og:url\" content=\"https:\/\/filmoskopija.com\/en\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/\" \/>\n<meta property=\"og:site_name\" content=\"Filmoskopija\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-15T10:15:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-15T12:06:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1440\" \/>\n\t<meta property=\"og:image:height\" content=\"802\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Filmoskopija\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Filmoskopija\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/\",\"url\":\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/\",\"name\":\"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu - Filmoskopija\",\"isPartOf\":{\"@id\":\"https:\/\/filmoskopija.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png\",\"datePublished\":\"2025-05-15T10:15:57+00:00\",\"dateModified\":\"2025-05-15T12:06:22+00:00\",\"author\":{\"@id\":\"https:\/\/filmoskopija.com\/#\/schema\/person\/d89b2a9e86570f33f50c2b7e7316f393\"},\"breadcrumb\":{\"@id\":\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#primaryimage\",\"url\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png\",\"contentUrl\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png\",\"width\":1440,\"height\":802},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/filmoskopija.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/filmoskopija.com\/#website\",\"url\":\"https:\/\/filmoskopija.com\/\",\"name\":\"Filmoskopija\",\"description\":\"Filmske kritike, eseji, intervjui i vesti.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/filmoskopija.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/filmoskopija.com\/#\/schema\/person\/d89b2a9e86570f33f50c2b7e7316f393\",\"name\":\"Filmoskopija\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/filmoskopija.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/14dcdb6389b877074167e4f01f43d1b824c49333b5043d0338c0d9516001fca6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/14dcdb6389b877074167e4f01f43d1b824c49333b5043d0338c0d9516001fca6?s=96&d=mm&r=g\",\"caption\":\"Filmoskopija\"},\"sameAs\":[\"https:\/\/filmoskopija.com\"],\"url\":\"https:\/\/filmoskopija.com\/en\/author\/filmoskopija_admin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu - Filmoskopija","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/filmoskopija.com\/en\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/","og_locale":"en_US","og_type":"article","og_title":"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu - Filmoskopija","og_url":"https:\/\/filmoskopija.com\/en\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/","og_site_name":"Filmoskopija","article_published_time":"2025-05-15T10:15:57+00:00","article_modified_time":"2025-05-15T12:06:22+00:00","og_image":[{"width":1440,"height":802,"url":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png","type":"image\/png"}],"author":"Filmoskopija","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Filmoskopija","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/","url":"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/","name":"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu - Filmoskopija","isPartOf":{"@id":"https:\/\/filmoskopija.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#primaryimage"},"image":{"@id":"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#primaryimage"},"thumbnailUrl":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png","datePublished":"2025-05-15T10:15:57+00:00","dateModified":"2025-05-15T12:06:22+00:00","author":{"@id":"https:\/\/filmoskopija.com\/#\/schema\/person\/d89b2a9e86570f33f50c2b7e7316f393"},"breadcrumb":{"@id":"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#primaryimage","url":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png","contentUrl":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/05\/FILMSKI-PETAK-MAJ_1440x801.png","width":1440,"height":802},{"@type":"BreadcrumbList","@id":"https:\/\/filmoskopija.com\/filmski-petak-kroz-italijanski-neorealizam-evropska-kuca-majski-program-posvecuje-italijanskom-neorealizmu\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/filmoskopija.com\/"},{"@type":"ListItem","position":2,"name":"Filmski petak: Evropska ku\u0107a majski program posve\u0107uje italijanskom neorealizmu"}]},{"@type":"WebSite","@id":"https:\/\/filmoskopija.com\/#website","url":"https:\/\/filmoskopija.com\/","name":"Filmoskopija","description":"Filmske kritike, eseji, intervjui i vesti.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/filmoskopija.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/filmoskopija.com\/#\/schema\/person\/d89b2a9e86570f33f50c2b7e7316f393","name":"Filmoskopija","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/filmoskopija.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/14dcdb6389b877074167e4f01f43d1b824c49333b5043d0338c0d9516001fca6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/14dcdb6389b877074167e4f01f43d1b824c49333b5043d0338c0d9516001fca6?s=96&d=mm&r=g","caption":"Filmoskopija"},"sameAs":["https:\/\/filmoskopija.com"],"url":"https:\/\/filmoskopija.com\/en\/author\/filmoskopija_admin\/"}]}},"_links":{"self":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts\/5859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/comments?post=5859"}],"version-history":[{"count":5,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts\/5859\/revisions"}],"predecessor-version":[{"id":5866,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts\/5859\/revisions\/5866"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/media\/5862"}],"wp:attachment":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/media?parent=5859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/categories?post=5859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/tags?post=5859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}