{"id":5987,"date":"2025-10-03T10:13:29","date_gmt":"2025-10-03T08:13:29","guid":{"rendered":"https:\/\/filmoskopija.com\/?p=5987"},"modified":"2025-10-03T10:18:37","modified_gmt":"2025-10-03T08:18:37","slug":"raskid-sva-nasa-bekstva","status":"publish","type":"post","link":"https:\/\/filmoskopija.com\/en\/raskid-sva-nasa-bekstva\/","title":{"rendered":"Raskid: Sva na\u0161a bekstva"},"content":{"rendered":"
\n\t
\n\t\t
\n\t\t\t
\n\t
<\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>\n\t
\n\t\t
\n\t\t\t

Kritika filma Raskid<\/em><\/strong><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

\n\t
\n\t\t
\n\t\t\t
\n\t
<\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>
\n\t
\n\t\t
\n\t\t\t\n\t
\n\t\t
\n\t\t\t

NASLOV: Raskid<\/em> (Splitsville<\/em>) \/ RE\u017dIJA: Majkl An\u0111elo Kovino \/ SCENARIO: Majkl An\u0111elo Kovino, Kajl Marvin \/ ULOGE: Dakota D\u017eonson, Adria Ard\u017eona, Majkl An\u0111elo Kovino, Kajl Marvin \/ TRAJANJE: 105 \u2019 \/ DR\u017dAVA: Sjedinjene Ameri\u010dke Dr\u017eave \/ GODINA: 2025.<\/strong><\/p>\n

 <\/p>\n

Radnja Raskida<\/em>\u2014drugog dugometra\u017enog filma Majkla An\u0111ela Kovina u saradnji sa koscenaristom Kajlom Marvinom\u2014bez oklevanja nas uvla\u010di u naslovni raskid izme\u0111u Kerija (Marvin) i njegove partnerke E\u0161li (Adria Ard\u017eona). Iznena\u0111en i povre\u0111en, Keri be\u017ei kod prijatelja Pola i D\u017euli (Kovino i Dakota D\u017eonson), koji mu otkrivaju da su u otvorenom braku i da im to odr\u017eava odnos. Njihov na\u010din \u017eivota podsti\u010de Kerija na introspekciju i ideju da bi takav model mo\u017eda mogao da spasi i njegovu vezu.<\/p>\n

Donekle nalik njihovom prvom zajedni\u010dkom radu The Climb<\/em> (2019), Raskid<\/em>\u2014premijerno prikazan u Kanu<\/a>, a trenutno na doma\u0107em bioskopskom repertoaru\u2014na povr\u0161ini odlikuju brze dosko\u010dice i humor, dok se ispod njih pokre\u0107u kompleksnija pitanja kao \u0161to su nesigurnost i krhkost savremenih ljubavnih odnosa. Humor oscilira izme\u0111u apsurda, ironije i ciljane neprijatnosti; dijalozi su hitri i o\u0161tri, dok se u intimnijim trenucima likovi brane ti\u0161inom i pasivnom agresijom. Likovi govore kao da im istina neprestano izmi\u010de i ba\u0161 ta nesposobnost da se jasno izraze stvara ironijski naboj \u2013 \u010dini se, naime, da je najlak\u0161e pribe\u0107i ironiji i isklju\u010divosti. Iako se doima kao non\u0161alantna romanti\u010dna komedija, Raskid<\/em> ne be\u017ei od sirovih emocionalnih ekscesa, izbegavaju\u0107i zamku romanti\u010dne idealizacije. Na pitanje kako se partneri nose sa spoznajom da nisu dovoljno dorasli sopstvenoj iluziji, film odgovara ranjivo\u0161\u0107u, izlo\u017eenom kroz nefiltrirane ispade besa, neskrivenu potrebu za prihvatanjem i detinjaste reakcije. Umesto da se krije, krhkost se razvija u komi\u010dki materijal, dok romanti\u010dna nespretnost postaje nepresu\u0161an izvor smeha. Potreba za zadr\u017eavanjem partnera i strah od napu\u0161tanja radnju pokre\u0107u tako \u0161to balansiraju nesigurnost koju svaki lik nosi. Dok prikazuje kako tradicionalni obrasci braka u dana\u0161njem dobu bivaju ugro\u017eeni novim shvatanjima pojma para, Raskid<\/em> komentari\u0161e kako nijedan model nije savr\u0161en, niti garancija za sre\u0107u, dokle god ostajemo zarobljeni u sopstvenim slabostima i strahovima.<\/p>\n

Monta\u017ea igra va\u017enu ulogu u oblikovanju ritma filma. Posebno se isti\u010de scena u kojoj dolazi do konflikta izme\u0111u glavnih likova, kada se rezovi ubrzavaju, a sukob poprima dinamiku akcionog filma sa haoti\u010dnim mizanscenom i fizi\u010dkom destrukcijom. \u010citava ova izvanredno koreografisana scena kroz vizuelni i ritmi\u010dki haos nagla\u0161ava intenzitet emocionalnog bola. Ne oslanjaju\u0107i se samo na ironiju i cini\u010dnost glavnih likova, film se na mahove pribli\u017eiva i slapstick<\/em> komediji. Nelagodniji ton nekih scena brzo se preseca, ne dopu\u0161taju\u0107i da ozbiljniji trenuci zaista \u201eodle\u017ee\u201c. \u010cesto, pre nego \u0161to se slegne ose\u0107aj tuge ili kolebljivosti, sledi komi\u010dna dosetka. Iako ovakvi prelazi ponekad razbijaju dubinu konflikta, oni istovremeno odr\u017eavaju lako\u0107u tona i vrcavost, \u0161to je verovatno i svesna odluka autorskog tandema.<\/p>\n

Vizuelni stil filma poja\u010dava ose\u0107aj intime, sa u\u010destalim dugim kadrovima koji skoro dose\u017eu vrhunac neprijatnosti, dok pratimo razvoj odnosa i me\u0111usobno poveravanje protagonista. Me\u0111utim, u haoti\u010dnijim scenama pokretljivija kamera nagla\u0161ava gubitak kontrole. Tokom filma dolazi do smene ova dva stila\u2014intimnih, stati\u010dnih momenata, sa onim energi\u010dnijim i nestabilnijim\u2014\u0161to doprinosi prikazu nestabilnosti odnosa. Paleta boja je topla i osun\u010dana, vidno moderna, dok dnevna svetlost koja prodire kroz velike staklene prozore stvara ose\u0107aj prostranosti i isti\u010de ure\u0111enost enterijera, u kontrastu sa komplikovanim odnosima likova. Zastakljena ku\u0107a ujedno ukazuje na dru\u0161tveni stale\u017e likova (vi\u0161a srednja klasa), ali i na njihov krhki unutra\u0161nji svet, a \u201esavr\u0161eno okru\u017eenje\u201c vizuelno podvla\u010di komi\u010dki efekat samih sukoba.<\/p>\n

Potrebno je pomenuti i izuzetnu hemiju izme\u0111u likova, potpomognutu dobrom glumom (Dakota D\u017eonson, recimo, posti\u017ee idealan balans u samokontroli i ironi\u010dnosti). Poragonisti nam do\u010daravaju humanost u kojoj ni mi sami ne znamo uvek \u0161ta nam je potrebno, pa se tako lako poistove\u0107ujemo sa njihovim \u017eeljama i ose\u0107ajem nesigurnosti. Dok prikazuju put poku\u0161aja i pogre\u0161aka, \u010dini se da nam Kovino i Marvin saop\u0161tavaju da je i zbunjenost deo procesa saznanja.<\/p>\n

Iako na momente mo\u017ee delovati pomalo gorko, Raskid<\/em> zapravo igra na granici gorko-slatkog, kroz humor razotkrivaju\u0107i nove poglede na dana\u0161nje odnose. Spoj autoironi\u010dnog humora, pa\u017eljivo tempirane monta\u017ee i intimne kamere \u010dini da se Raskid<\/em> izdigne iznad konvencionalne romanti\u010dne komedije: to je introspektivna pri\u010da o savremenim vezama i unutra\u0161njim previranjima koja pred nas stavlja dilemu o otvorenom braku. Radi li se zaista o slobodi ili samo o novoj formi bekstva?<\/p>\n

 <\/p>\n

_____________________________________________________________________________________<\/p>\n

Naslovna fotografija iz filma <\/em>Raskid: Blitz Promo.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Kritika filma Raskid NASLOV: Raskid (Splitsville) \/ RE\u017dIJA: Majkl [...]","protected":false},"author":15,"featured_media":5989,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[73],"tags":[580,582,92,89,581,577,579,578],"class_list":["post-5987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-film-dakota-dzonson","tag-film-u-bioskopu","tag-filmoskopija","tag-filmska-kritika","tag-kan-festival","tag-raskid-film","tag-raskid-komedija-kritika","tag-splitsville-film"],"yoast_head":"\nRaskid: Sva na\u0161a bekstva - Filmoskopija<\/title>\n<meta name=\"description\" content=\"Spoj komedije, pa\u017eljivo tempirane monta\u017ee i intimne kamere \u010dini da se Raskid izdigne iznad konvencionalne romanti\u010dne komedije: to je introspektivna pri\u010da o savremenim vezama i unutra\u0161njim previranjima koja pred nas stavlja dilemu o otvorenom braku.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmoskopija.com\/en\/raskid-sva-nasa-bekstva\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Raskid: Sva na\u0161a bekstva - Filmoskopija\" \/>\n<meta property=\"og:description\" content=\"Spoj komedije, pa\u017eljivo tempirane monta\u017ee i intimne kamere \u010dini da se Raskid izdigne iznad konvencionalne romanti\u010dne komedije: to je introspektivna pri\u010da o savremenim vezama i unutra\u0161njim previranjima koja pred nas stavlja dilemu o otvorenom braku.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/filmoskopija.com\/en\/raskid-sva-nasa-bekstva\/\" \/>\n<meta property=\"og:site_name\" content=\"Filmoskopija\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-03T08:13:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-03T08:18:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Teodora Jovanovi\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Teodora Jovanovi\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/\",\"url\":\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/\",\"name\":\"Raskid: Sva na\u0161a bekstva - Filmoskopija\",\"isPartOf\":{\"@id\":\"https:\/\/filmoskopija.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg\",\"datePublished\":\"2025-10-03T08:13:29+00:00\",\"dateModified\":\"2025-10-03T08:18:37+00:00\",\"author\":{\"@id\":\"https:\/\/filmoskopija.com\/#\/schema\/person\/e4f2d4207f504b6abf7073690ae4914c\"},\"description\":\"Spoj komedije, pa\u017eljivo tempirane monta\u017ee i intimne kamere \u010dini da se Raskid izdigne iznad konvencionalne romanti\u010dne komedije: to je introspektivna pri\u010da o savremenim vezama i unutra\u0161njim previranjima koja pred nas stavlja dilemu o otvorenom braku.\",\"breadcrumb\":{\"@id\":\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#primaryimage\",\"url\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg\",\"contentUrl\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg\",\"width\":2560,\"height\":1440,\"caption\":\"Raskid\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/filmoskopija.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Raskid: Sva na\u0161a bekstva\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/filmoskopija.com\/#website\",\"url\":\"https:\/\/filmoskopija.com\/\",\"name\":\"Filmoskopija\",\"description\":\"Filmske kritike, eseji, intervjui i vesti.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/filmoskopija.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/filmoskopija.com\/#\/schema\/person\/e4f2d4207f504b6abf7073690ae4914c\",\"name\":\"Teodora Jovanovi\u0107\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/filmoskopija.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/cropped-fotka-scaled-1-96x96.jpg\",\"contentUrl\":\"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/cropped-fotka-scaled-1-96x96.jpg\",\"caption\":\"Teodora Jovanovi\u0107\"},\"description\":\"Teodora Jovanovi\u0107 je apsolvent pejza\u017ene arhitekture i bavi se projektovanjem oku\u0107nica. Pi\u0161e prozne radove i redovno pose\u0107uje filmske festivale.\",\"url\":\"https:\/\/filmoskopija.com\/en\/author\/teodorajovanovic\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Raskid: Sva na\u0161a bekstva - Filmoskopija","description":"Spoj komedije, pa\u017eljivo tempirane monta\u017ee i intimne kamere \u010dini da se Raskid izdigne iznad konvencionalne romanti\u010dne komedije: to je introspektivna pri\u010da o savremenim vezama i unutra\u0161njim previranjima koja pred nas stavlja dilemu o otvorenom braku.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/filmoskopija.com\/en\/raskid-sva-nasa-bekstva\/","og_locale":"en_US","og_type":"article","og_title":"Raskid: Sva na\u0161a bekstva - Filmoskopija","og_description":"Spoj komedije, pa\u017eljivo tempirane monta\u017ee i intimne kamere \u010dini da se Raskid izdigne iznad konvencionalne romanti\u010dne komedije: to je introspektivna pri\u010da o savremenim vezama i unutra\u0161njim previranjima koja pred nas stavlja dilemu o otvorenom braku.","og_url":"https:\/\/filmoskopija.com\/en\/raskid-sva-nasa-bekstva\/","og_site_name":"Filmoskopija","article_published_time":"2025-10-03T08:13:29+00:00","article_modified_time":"2025-10-03T08:18:37+00:00","og_image":[{"width":2560,"height":1440,"url":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg","type":"image\/jpeg"}],"author":"Teodora Jovanovi\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Teodora Jovanovi\u0107","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/","url":"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/","name":"Raskid: Sva na\u0161a bekstva - Filmoskopija","isPartOf":{"@id":"https:\/\/filmoskopija.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#primaryimage"},"image":{"@id":"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#primaryimage"},"thumbnailUrl":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg","datePublished":"2025-10-03T08:13:29+00:00","dateModified":"2025-10-03T08:18:37+00:00","author":{"@id":"https:\/\/filmoskopija.com\/#\/schema\/person\/e4f2d4207f504b6abf7073690ae4914c"},"description":"Spoj komedije, pa\u017eljivo tempirane monta\u017ee i intimne kamere \u010dini da se Raskid izdigne iznad konvencionalne romanti\u010dne komedije: to je introspektivna pri\u010da o savremenim vezama i unutra\u0161njim previranjima koja pred nas stavlja dilemu o otvorenom braku.","breadcrumb":{"@id":"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#primaryimage","url":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg","contentUrl":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/156_lut_v01_709full.04319102-scaled.jpg","width":2560,"height":1440,"caption":"Raskid"},{"@type":"BreadcrumbList","@id":"https:\/\/filmoskopija.com\/raskid-sva-nasa-bekstva\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/filmoskopija.com\/"},{"@type":"ListItem","position":2,"name":"Raskid: Sva na\u0161a bekstva"}]},{"@type":"WebSite","@id":"https:\/\/filmoskopija.com\/#website","url":"https:\/\/filmoskopija.com\/","name":"Filmoskopija","description":"Filmske kritike, eseji, intervjui i vesti.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/filmoskopija.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/filmoskopija.com\/#\/schema\/person\/e4f2d4207f504b6abf7073690ae4914c","name":"Teodora Jovanovi\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/filmoskopija.com\/#\/schema\/person\/image\/","url":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/cropped-fotka-scaled-1-96x96.jpg","contentUrl":"https:\/\/filmoskopija.com\/wp-content\/uploads\/2025\/10\/cropped-fotka-scaled-1-96x96.jpg","caption":"Teodora Jovanovi\u0107"},"description":"Teodora Jovanovi\u0107 je apsolvent pejza\u017ene arhitekture i bavi se projektovanjem oku\u0107nica. Pi\u0161e prozne radove i redovno pose\u0107uje filmske festivale.","url":"https:\/\/filmoskopija.com\/en\/author\/teodorajovanovic\/"}]}},"_links":{"self":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts\/5987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/comments?post=5987"}],"version-history":[{"count":5,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts\/5987\/revisions"}],"predecessor-version":[{"id":5993,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/posts\/5987\/revisions\/5993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/media\/5989"}],"wp:attachment":[{"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/media?parent=5987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/categories?post=5987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmoskopija.com\/en\/wp-json\/wp\/v2\/tags?post=5987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}