{"id":6062,"date":"2026-01-03T19:49:02","date_gmt":"2026-01-03T18:49:02","guid":{"rendered":"https:\/\/filmoskopija.com\/?p=6062"},"modified":"2026-01-05T14:04:06","modified_gmt":"2026-01-05T13:04:06","slug":"marty-supreme-timothee-supreme-new-york-city-supreme","status":"publish","type":"post","link":"https:\/\/filmoskopija.com\/en\/marty-supreme-timothee-supreme-new-york-city-supreme\/","title":{"rendered":"Marty Supreme: Timoth\u00e9e Supreme, New York City Supreme"},"content":{"rendered":"
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Review of Marty Supreme<\/i><\/strong><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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TITLE: Marty Supreme<\/em> \/ DIRECTOR: Josh Safdie \/ SCREENWRITERS: Josh Safdie, Ronald Bronstein \/ CAST: Timoth\u00e9e Chalamet, Gwyneth Paltrow, Odessa A’zion… \/ DURATION: 149\u2019 \/ COUNTRY: United States, Finland \/ YEAR: 2025<\/strong><\/p>\n

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With\u00a0<\/span>Good Time\u00a0<\/span><\/i>(2017), the\u00a0brothers\u00a0Benny and Josh\u00a0Safdie\u00a0departed\u00a0filmmaking\u00a0independence to join the American auteur establishment, a transformation\u00a0<\/span>Uncut Gems\u00a0<\/span><\/i>(2019)\u00a0cemented.\u00a0Last year\u00a0marked\u00a0their directorial split: Benny\u00a0directed\u00a0an MMA\u00a0wrestler\u00a0biopic\u00a0(<\/span>The Smashing Machine<\/span><\/i>)\u00a0while Josh continued\u00a0what the\u00a0Safdies\u00a0seemed destined to do\u00a0\u2014\u00a0portray the soul and character of\u00a0their\u00a0New York City\u00a0(NYC).\u00a0The buzz, the risk, the\u00a0never-ending hustle\u00a0of\u00a0<\/span>Uncut Gems<\/span><\/i>\u00a0and its characters elevate\u00a0in\u00a0<\/span>Marty Supreme<\/span><\/i>,\u00a0turning the film into a portrait of the city that borders on fantasy, with its title character (Timoth\u00e9e Chalamet, who also produced) serving as an embodiment of\u00a0NYC\u00a0itself.<\/span>\u00a0<\/span><\/p>\n

The\u00a0<\/span>Marty Supreme<\/span><\/i> marketing campaign was larger than life \u2014 a gradual build-up of the grand, stubborn, and impossible to overlook. A fake leaked meeting where Timoth\u00e9e pitches a marketing strategy with 2010s artist-formerly-known-as-Kanye-West-level conviction. Susan Boyle singing Marilyn Monroe-style \u201cHappy Birthday\u201d to Timoth\u00e9e in a Marty Supreme jersey jacket. Timoth\u00e9e giving rebirth to white rap in a duet with a balaclava-masked UK artist EsDeeKid. Finally, a day before the US theatrical release: Timoth\u00e9e’s close-up as a drone pulls back to reveal him atop the Las Vegas Sphere transformed into a giant orange ping-pong ball inscribed MARTY SUPREME *** DREAM BIG.<\/span>\u00a0<\/span><\/p>\n

The film delivers on that promise, albeit visually as an antipode to the Zoomer generation style campaign \u2014 a period production, set in gritty and elegant 1950s, colored with 50 shades of brown. Marty, a character inspired by the real-life professional table tennis player and hustler <\/span>Marty Reisman,<\/span>\u00a0is a twenty-something, acne-scarred, beetle-eyed Jewish kid living with his mom, claiming to be a table tennis\u00a0prodigy. He works in his uncle\u2019s shoe shop, collecting money for an overseas trip to the British Open, where\u00a0he\u2019ll\u00a0win big.\u00a0He\u2019s\u00a0fast,\u00a0determined, with firm conviction in his ability, and\u00a0no strategic plan\u00a0\u2014\u00a0but a\u00a0plan\u00a0isn’t\u00a0necessary because\u00a0<\/span>it just will work out<\/span><\/i>.\u00a0Timoth\u00e9e\u00a0embodies\u00a0Marty\u2019s conviction, recently\u00a0publicly\u00a0claiming his own greatness,\u00a0and like his character, he transcends his petite posture and tiny mustache through sheer confidence,\u00a0in what becomes art imitating life or the other way around.<\/span>\u00a0<\/span><\/p>\n

This confidence guides every aspect of Marty\u2019s existence, not just his sports performance, which, surprisingly,\u00a0<\/span>is<\/span><\/i> successful. He\u2019ll seduce a twenty-years-older ex-Hollywood star turned NYC socialite (a sophisticatedly confused Gwyneth Paltrow), strike a deal with her businessman husband, get accommodated in a presidential suite at the Ritz, etc. The film spans a seemingly never-ending sequence of such and alike events, of alternating successes and failures, life\u2019s ebb and flow, where flow can propel you to a spotlight visible from space, and ebb can put a bullet in you. These events are merely dots on Marty’s road, on NYC\u2019s road. Ultimately, this is a road film where NYC is both the road and the destination, and Marty is a vehicle that gets rebuilt along the way.<\/span>\u00a0<\/span><\/p>\n

Writer-director Josh Safdie and co-writer Ronald Bronstein\u00a0(<\/span>Good Time, Uncut Gems<\/span><\/i>), who\u00a0also served as editors, together with cinematographer Darius\u00a0Khondji\u00a0(<\/span>Amour\u00a0<\/span><\/i>[Michael Haneke, 2012<\/span>]<\/span>, Uncut Gems, Mickey 17\u00a0<\/span><\/i>[Bong Joon-Ho, 2025]), infuse the film with the propulsive stress familiar from\u00a0<\/span>Uncut Gems\u00a0\u2014<\/span><\/i> rapid cuts, overlapping dialogue, yelling, frames densely populated with characters both central and incidental. Safdie deploys real-life figures: quirky NYC Italians as small-time hoods, the YouTube-famous radio-voiced homeless man working at an underground ping-pong parlor, a Shark Tank judge as the businessman, Tyler, the Creator as Marty\u2019s partner in a ping-pong betting scheme, a professional Japanese deaf table tennis player as Marty\u2019s final opponent. These aren\u2019t stunt cameos; they\u2019re essential texture. Characters positioned deep in the background deliver pointed, witty commentary on the foreground drama, like for example when Marty negotiates with the actress’s husband after her disastrous theater premiere, and an onlooker remarks: \u201cThis might be more dramatic than the play!\u201d<\/span><\/p>\n

The film\u2019s humor is laced with provocation\u00a0as\u00a0Safdie includes\u00a0jarring or\u00a0politically incorrect jabs.\u00a0In doing so,\u00a0he\u00a0often\u00a0drifts\u00a0toward\u00a0a stranger, more dreamlike territory. G\u00e9za R\u00f6hrig (<\/span>Son of Saul\u00a0<\/span><\/i>[L\u00e1szl\u00f3 Nemes, 2015])<\/span>, playing Marty’s aging rival Kletzki, recounts a concentration camp memory: covering himself in honey from a discovered bee nest, then letting starving inmates lick his body clean. Safdie films this surprisingly sensually, tongues and all, that plays as both grotesque and tender. The fantastical strain continues in a montage of Marty and Kletzki’s globetrotting tour that openly courts Wes Anderson comparisons: symmetrically composed shots of the pair in pastel pink pajamas playing ping-pong with kitchen pots in a shadowy Sarajevo gymnasium, or a sleuthing camera discovering Marty casually chipping stone from an Egyptian pyramid. The table tennis sequences themselves become showcases with trick shots, and the audience\u2019s heads turn left and right in a hypnotizing momentum. Meanwhile, back in NYC, crimes of escalating violence, fraud, assault, murder pass without consequence or investigation, operating on cartoon logic.<\/span>\u00a0<\/span><\/p>\n

This combination of grit and fantasy, realism and absurdism, shouldn’t cohere. That it does is a testament to Safdie’s vision of NYC as a place where anything can happen and nothing quite matters, where hustle trumps morality and momentum replaces meaning \u2014 a NYC Supreme, carried on the shoulders of Timoth\u00e9e Supreme.<\/span>\u00a0<\/span><\/p>\n

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Photo Credit: Blitz Film and Video Distribution Promo.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Review of Marty Supreme TITLE: Marty Supreme \/ DIRECTOR: [...]","protected":false},"author":5,"featured_media":6068,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[73],"tags":[92,641,640,639,638,644,642,643],"class_list":["post-6062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-filmoskopija","tag-josh-safdie","tag-marti-velicanstveni-kritika","tag-marty-supreme-kritika","tag-marty-supreme-review","tag-novi-filmovi-kritike","tag-timothee-chalamet-new-film","tag-timothee-chalamet-oscars"],"yoast_head":"\nMarty Supreme: Timoth\u00e9e Supreme, New York City Supreme - Filmoskopija<\/title>\n<meta name=\"description\" content=\"The buzz, the risk, the\u00a0never-ending hustle\u00a0of\u00a0Uncut Gems\u00a0and its characters elevate\u00a0in\u00a0Marty Supreme,\u00a0turning the film into a portrait of the city that borders on fantasy, with its title character serving as an embodiment of\u00a0NYC\u00a0itself.\u00a0\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmoskopija.com\/en\/marty-supreme-timothee-supreme-new-york-city-supreme\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marty Supreme: Timoth\u00e9e Supreme, New York City Supreme - 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She has been a member of Filmoskopija since its founding. As a (once) young critic, she took part in numerous workshops for young film and theater critics. Today, she is 32 years old, lives in Boston, and earns a (modest) living dealing with topics that are, unfortunately, not cinematic, but scientific. _______________________________________________________________ Dr Mina Staniki\u0107 povremeno pi\u0161e filmsku kritiku. \u010clanica je redakcije Filmoskopije od njenog osnivanja. Kao (nekada) mlada kriti\u010darka u\u010destvovala je na brojnim radionicama za mlade filmske i pozori\u0161ne kriti\u010dare. 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