{"id":6303,"date":"2026-06-27T06:58:37","date_gmt":"2026-06-27T04:58:37","guid":{"rendered":"https:\/\/filmoskopija.com\/?p=6303"},"modified":"2026-06-27T08:27:00","modified_gmt":"2026-06-27T06:27:00","slug":"sorella-di-clausura-predmet-steline-zelje","status":"publish","type":"post","link":"https:\/\/filmoskopija.com\/en\/sorella-di-clausura-predmet-steline-zelje\/","title":{"rendered":"Sorella di Clausura: Predmet Steline \u017eelje"},"content":{"rendered":"
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Kritika filma Sorella di Clausura\u00a0<\/em>(Balkanski festival filmske re\u017eije)<\/strong><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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NASLOV: Sorella di Clausura<\/em> \/ RE\u017dIJA: Ivana Mladenovi\u0107 \/ SCENARIO: Ivana Mladenovi\u0107, Momir Milo\u0161evi\u0107, Adrijan Skjop \/ ULOGE: Katja Paskariju, \u0106endana Trifan, Miodrag Mladenovi\u0107 i dr. \/ TRAJANJE: 107\u2019 \/ DR\u017dAVA: Rumunija, Srbija, Italija, \u0160panija \/ GODINA: 2025.<\/strong><\/p>\n

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\u0160ta biste vi u\u010dinili kako biste oti\u0161li na koncert peva\u010da koga obo\u017eavate? Da li biste ukrali ujakovu penziju od koje \u010ditava porodica pre\u017eivljava? To je upravo ono \u0161to \u010dini trideset\u0161estogodi\u0161nja Stela (Katja Paskariju), protagonistkinja \u010detvrtog filma srpsko-rumunske rediteljke Ivane Mladenovi\u0107. Zaljubljena, zapravo opsednuta folk senzacijom Bobanom (Miodrag Mladenovi\u0107) od svoje dvanaeste godine, Stela \u0107e u\u010diniti sve kako bi mu se pribli\u017eila. Sazna\u0107e u kom hotelu odseda, \u010deka\u0107e na recepciji dok je ne oteraju, zva\u0107e uporno zahtevaju\u0107i da je spoje s njegovom sobom. Kada joj se sre\u0107a kona\u010dno osmehne (ili upornost isplati), spopa\u0161\u0107e ga na izlazu iz kola, prati\u0107e ga sve do lifta i u duhu grupija mu pokazati grudi pre nego \u0161to se vrata zatvore. Protkan suvim humorom i mno\u0161tvom scena koje se grani\u010de sa grotesknim i apsurdnim, film lju\u0161ti slojeve kulta slavnih, ispituju\u0107i aspekte socioseksualnog kroz prizmu marginalizovane anti-heroine koja odbija da se uklopi u dru\u0161tvene norme.<\/p>\n

Godina je 2007. Oblak ekonomske krize koji se nadvija nad Rumunijom, koja tek \u0161to je postala \u010dlanica Evropske unije, prvo poga\u0111a one ve\u0107 u te\u0161kim materijalnim uslovima. Stela, iako obrazovana, s diplomom filologije, na probnom je radu u fabrici tekstila. S celom porodicom \u017eivi u malom, prenatrpanom stanu u Bukure\u0161tu, koji je vrlo autenti\u010dno prikazan. Mirisi i teksture skoro su opipljivi. Te\u017eina prostora\u00a0 u kojem nema privatnosti i gustina zagu\u0161ljivog vazduha izbijaju na povr\u0161inu uz pomo\u0107 \u017eu\u0107kasto-braonkastog kolorita zagasitog kvaliteta.<\/p>\n

Stela je nezadovoljna \u017eivotom i o\u010dajna \u0161to ne mo\u017ee da dopre do svog idola. U pismu koje iskucava na kompjuteru koji budi nostalgiju za ranim 2000-im pominje kako je tri puta skoro izvr\u0161ila samoubistvo zbog neuzvra\u0107ene ljubavi. Stilski, Mladenovi\u0107 u potpunosti uspeva da do\u010dara dezorijentisanost i rasejanost unutra\u0161njeg bi\u0107a, karakteristi\u010dnu za neshva\u0107enu osobu, koja pritom pati od depresije. Dugi stati\u010dni kadrovi kao i uzdr\u017eanost kamere, koja se \u010desto nalazi na odre\u0111enoj distanci od subjekta, doprinose ose\u0107aju otu\u0111enosti i odvojenosti lika od okru\u017eenja.<\/p>\n

Stela je seksualno neiskusna, a mu\u0161karci je privla\u010de isklju\u010divo ako barem jedan posto li\u010de na \u010doveka koji je predmet njene \u017eelje. Pod dru\u0161tvenim pritiscima koji glase: \u201eImaj seks, reprodukuj se, budi kao ostali\u201c, Stela se upu\u0161ta u par avantura (odnosno poku\u0161aja istih), ubrzo shvataju\u0107i da je to zaista ne interesuje i da joj nije potrebno, bar ne u onom obliku u kojem joj se nala\u017ee. Nasuprot viziji seksa kao ne\u010dega osloba\u0111aju\u0107eg, Mladenovi\u0107 nas podse\u0107a da je katkad u pitanju svojevrsna transakcija, da je \u017eensko zadovoljstvo i dalje zanemareno, a da ima i onih kojima nije toliko bitan. Osim neprijatnih i nespretnih scena seksa, tu su i druge neobi\u010dnosti: povremeni skokoviti rezovi, upotreba \u0161irokougaonog objektiva, push<\/em> tranzicije i posve neobja\u0161njiva figurica ma\u010dke koja iznenada upada i nestaje iz kadra.<\/p>\n

Kada na scenu stupi Vera Pop (\u0106endana Trifan), peva\u010dica i samoproklamovana seks \u0161amanka, koja uzima Stelu za svoju \u0161ti\u0107enicu, pri\u010da kre\u0107e neo\u010dekivanom putanjom. Ona obe\u0107ava da \u0107e je upoznati s njenim li\u010dnim \u201eBogom\u201c ukoliko Stela napi\u0161e knjigu: po mogu\u0107stvu ne o depresiji, samoubistvu i sli\u010dnim \u201emra\u010dnim temama\u201c, ve\u0107 o onim \u201eveselim i duhovitim\u201c. Komika zaista i jeste klju\u010dna u Sorella di Clausura<\/em><\/a>, sa efektnim elementima slepstika i crnog humora. Katja Paskariju briljira kao nezgrapna i cini\u010dna \u017eena, uvek spremna da odgovori. Mladenovi\u0107 Sorellom<\/em> zapravo nastavlja tradiciju meta-pripovedanja koju je zapo\u010dela u autofikciji Ivana Grozna <\/em>(2019). Bobana tako igra njen otac, dok je Vera inspirisana njenom prijateljicom Ankom Pop. (Poznata pratiocima rediteljkinog rada i po u Ivani Groznoj<\/em>, gde je tuma\u010dila samu sebe, upravo je Pop, pre svoje preuranjene, tragi\u010dne smrti, autorki donela neobjavljeni autobiografski tekst Lilijane Peli\u010di koji \u0107e poslu\u017eiti kao potka za scenario Sorelle<\/em>).<\/p>\n

Kada, na kraju, kona\u010dno ostvari svoj \u017eivotni san i upozna ikonu kojoj se godinama klanjala, Stela ostaje nema i razo\u010darana glamurom koji je u su\u0161tini parada lo\u0161eg ukusa. Me\u0111utim, Boban tvrdi da \u0107e i Stela, poput kalu\u0111erica koje \u017eive u klauzuri (manastirskoj osamljenosti), ve\u0107inu vremena \u0107ute\u0107i, jednom zapevati, kako i one jednom godi\u0161nje horski zapevaju. Stela tvrdi da nema sluha, ali mo\u017eda svet samo jo\u0161 nije spreman da \u010duje njenu pesmu.<\/p>\n

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Naslovna fotografija iz filma <\/em>Sorella di Clausura: Balkanski festival filmske re\u017eije Promo.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Kritika filma Sorella di Clausura\u00a0(Balkanski festival filmske re\u017eije) NASLOV: [...]","protected":false},"author":19,"featured_media":6060,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[73],"tags":[790,92,787,786,789,788],"class_list":["post-6303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-balkanski-festival-filmske-rezije","tag-filmoskopija","tag-ivana-grozna-film","tag-ivana-mladenovic","tag-katja-paskariju","tag-sorella-di-clausura"],"yoast_head":"\nSorella di Clausura: Predmet Steline \u017eelje - Filmoskopija<\/title>\n<meta name=\"description\" content=\"Komika zaista i jeste klju\u010dna u Sorella di Clausura, sa efektnim elementima slepstika i crnog humora. 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